When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns an...(展开全部)

This is a comprehensive overview of the sociology of art and an authoritative work of scholarship by a leading expert in the field. The international selection of perspectives, empirical research, and case studies makes this book essential for teaching and studying the sociology of art. Synthesizes the various theoretical models of art sociology. Provides empirical examples...(展开全部)

This is a comprehensive overview of the sociology of art and an authoritative work of scholarship by a leading expert in the field. The international selection of perspectives, empirical research, and case studies makes this book essential for teaching and studying the sociology of art. Synthesizes the various theoretical models of art sociology. Provides empirical examples...(展开全部)

Through popular movies starring Bruce Lee and songs like the disco hit "Kung Fu Fighting," martial arts have found a central place in the Western cultural imagination. But what would 'martial arts' be without the explosion of media texts and images that brought it to a wide audience in the late 1960s and early 1970s? In this examination of the media history of what we now call ...(展开全部)

Through popular movies starring Bruce Lee and songs like the disco hit "Kung Fu Fighting," martial arts have found a central place in the Western cultural imagination. But what would 'martial arts' be without the explosion of media texts and images that brought it to a wide audience in the late 1960s and early 1970s? In this examination of the media history of what we now call ...(展开全部)

丹尼斯·J·斯波勒，享誉国际的教授、学者、作家与艺术家。他在中央密歇根大学获演讲和戏剧专业学士学位，同时辅修音乐；在爱荷华大学获舞台设计与技术专业的硕士学位。他曾担任宾州州立大学、亚利桑那大学等美国多所学校的终身教授、系主任或院长。教学经验包括人文与美术等 多种学科领域。他还曾从事专业的演唱事业，设计舞台布景与照明作品，有《感知艺术》《穿越艺术的现实》《创作的冲动：艺术品介绍》《视觉艺术指南》等多种著作出版，并有大量期刊文章与诗歌作品。 译者 史梦阳，毕业于北京外国语大学，翻译专业硕士。与他人合译《舞蹈学导论》《代寻旧日时光》，独立翻译《我不要我们永远在一起》。

丹尼斯·J·斯波勒，享誉国际的教授、学者、作家与艺术家。他在中央密歇根大学获演讲和戏剧专业学士学位，同时辅修音乐；在爱荷华大学获舞台设计与技术专业的硕士学位。他曾担任宾州州立大学、亚利桑那大学等美国多所学校的终身教授、系主任或院长。教学经验包括人文与美术等 多种学科领域。他还曾从事专业的演唱事业，设计舞台布景与照明作品，有《感知艺术》《穿越艺术的现实》《创作的冲动：艺术品介绍》《视觉艺术指南》等多种著作出版，并有大量期刊文章与诗歌作品。 译者 史梦阳，毕业于北京外国语大学，翻译专业硕士。与他人合译《舞蹈学导论》《代寻旧日时光》，独立翻译《我不要我们永远在一起》。

约翰·菲斯克（John Fiske）是美国威斯康辛大学麦迪逊校区的传播艺术教授，并曾在澳大利亚与英国从事教学工作。他共参与过5本书的写作，或独立创作，或与人合作，包括《解读电视》、《电视文化》等，另著有大量涉及大众文化的论文。

Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid d...(展开全部)

A deep yet accessible analysis of the physics of light and sound, and how our eyes and ears detect them, is not only intellectually enjoyable, but also useful to understand and interpret the world in which we live, all the phenomena that take place around us, and how we perceive them. In short, how we interface with our planet, its inhabitants, and their creations. Understandin...(展开全部)